In its third phase (19th century), Pirot kilim reached the highest technical and art values with its real wealth of ornaments, colours and motifs. Such a high level of kilim making in the next fourth phase meant a completely mastered manufacturing technique, a high quality production, a perfect composition of the “kilim”. Till the end of the 19th century the kilims were dyed by natural (plant) dyes and then by artificial (industrial) ones because they enabled more nuances of one colour.
And so from a century to century the kilim grows out of the frame of the cottage industry and is transformed into a half-handicraffs or handycraffs of a small town which became a manufactoring center for kilim production during the 18th and 19th century. At the end of the 19th century Pirot had 250 looms and between two world wars a half of the whole women inhebitants of Pirot were occupied with kilim making. In 1886 a Kilim society of Pirot was founded and it began to invited to internation exibitions and fairs where the Pirot kilims ussed to win only gold-medals. Today a “Kilim Association”, a Public Enterprise “Piroteks” and a private Enterprise “Limaplast” exist in Pirot.